I’m often asked about the perfumes I wear, but explaining in detail what draws me towards a certain scent is hard. Choosing a perfume is a very personal, intimate and subjective act, which deals with memories, echoes and dreams. Moreover, what works for you may not work for others, because perfumes adapt to their wearers with different outcomes. It’s frustrating when you want a perfume to work for you , but there’s nothing you can do about it (I guess it’s a chemistry matter); on the contrary, when you realize something works wonderfully on your skin, that’s pure bliss. I don’t believe in love at first sight, but with perfumes… well, that’s a different story.
Penhaligon’s Endymion struck me like thunder, and the same happened with the latest scent of the British brand. Tralala is the result of a unique combination of creativity and artistry: created by Bertrand Duchaufour in collaboration with Edward Meadham and Benjamin Kirchhoff, it will officially launch next spring , but I was lucky enough to get a sample from Penhaligon’s .
It’s taken me days to “study” it. I’m not joking: there’s so much hidden in this perfume, that whenever I wear it, I know there’s something more I can’t quite grasp. I don’t think I’m able to describe in detail, but let’s see what the official report says about the olfactory pyramid. The head notes include aldehydes, saffron, whiskey, ambrette seed butter, galbanum and violet leaf absolute; the heart notes are carnation, leather, tuberose, ylang ylang, orris and incense; the base notes include myrrh resinoid, opopanax absolute, patchouli, vetiver, cedarwood, heliotrope, musk and vanilla. It’s definitely the most complex composition I’ve ever smelt, but let me tell you I immediately connected it to two Penhaligon’s perfumes I own and love – Artemisia and Cornubia. Both perfumes have musk and vanilla as base notes, just like Tralala, but despite this similarity, the latter succeeds in standing out.
To my nose, the perfume opens with a fresh, yet romantic, scent of violet, soon followed by a slight note of incense (which I love, and would smell it among millions of scents) and a rich tuberose. When the floral notes subside, the wooden/spicy heart of the perfume opens up with comforting and earthy notes of vanilla, patchouli and musk; on the background, a fresh hint of vetiver. Perfumes usually don’t last long on me, but this one lingers on my skin for hours – you can definitely tell it’s there for a long time. It’s a fragrance you can lose yourself in, but there’s more about it, a subtler yet deeper meaning: to me Tralala speaks of warmth and comfort, ideas I connect to Artemisia, too, but here there’s a mysterious element which I guess is of its charm, a feature that beautifully echoes the imagery of its creators, along with the perfume bottle.